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Dazzle camouflage, also known as razzle dazzle or dazzle painting, was a family of ship camouflage used extensively in World War I and to a lesser extent in World War II and afterwards. Credited to artist Norman Wilkinson, though with a prior claim by the zoologist John Graham Kerr, it consisted of complex patterns of geometric shapes in contrasting colours, interrupting and intersecting each other. Unlike some other forms of camouflage, dazzle works, if at all, not by offering concealment but by making it difficult to estimate a target's range, speed, and heading. Norman Wilkinson explained in 1919 that dazzle was intended more to mislead the enemy as to the correct position to take up than actually to miss his shot when firing. Dazzle was adopted by the British Admiralty and the United States Navy with little evaluation. Each ship's dazzle pattern was unique to avoid making classes of ships instantly recognisable to the enemy. The result was that a profusion of dazzle schemes were tried, and the evidence for their success was at best mixed. So many factors were involved that it was impossible to determine which were important, and whether any of the colour schemes were effective. Dazzle attracted the notice of artists such as Picasso, who claimed that Cubists had invented it. The Vorticist artist Edward Wadsworth, who supervised the camouflaging of over 2,000 ships during the First World War, painted a series of canvases of dazzle ships after the war, based on his wartime work. ==Intended purposes== At first glance, dazzle seems an unlikely form of camouflage, drawing attention to the ship rather than hiding it. The approach was developed after Allied navies were unable to develop effective means to hide ships in all weather conditions. The British zoologist John Graham Kerr, who first applied dazzle camouflage to British warships in the First World War, outlined the principle in a letter to Winston Churchill in 1914 explaining that disruptive camouflage sought to confuse, not to conceal, "It is essential to break up the regularity of outline and this can be easily effected by strongly contrasting shades … a giraffe or zebra or jaguar looks extraordinarily conspicuous in a museum but in nature, especially when moving, is wonderfully difficult to pick up." Dazzle attempted to make it difficult for an enemy to estimate a ship's type, size, speed, and heading. Its purpose was confusion rather than concealment.〔"Camouflage, Norman Wilkinson", Letters, ''The Times'', Apr 04, 1939〕 An observer would find it difficult to know exactly whether the stern or the bow was in view; and it would be equally difficult to estimate whether the observed vessel was moving towards or away from the observer's position.〔Glover, Michael. ("Now you see it... Now you don't" ) ''The Times.'' 10 March 2007.〕 Rangefinders used for naval artillery were based on the coincidence principle with an optical mechanism, operated by a human to compute the range. The operator adjusted the mechanism until the two half-images of the target lined up in a complete picture. Dazzle was intended to make that hard because clashing patterns looked abnormal even when the two halves were aligned. This became more important when submarine periscopes included similar rangefinders. Patterns sometimes also included a false bow wave intended to make it difficult to estimate the ship's speed. Dazzle camouflage was accepted by the Admiralty, even without practical visual assessment protocols for improving performance by modifying designs and colours.〔Williams, 2001. p. 35〕 The dazzle camouflage strategy was adopted by other navies. This led to more scientific studies of colour options which might enhance camouflage effectiveness. Broken colour systems which present units so small as to be invisible as such at the distances considered are neither advantageous nor detrimental to the ''dazzle effect''; the ''visibility'' of the camouflaged vessel at a given distance would depend entirely upon such scientifically measurable factors as the mean effective reflection factor, hue, and saturation of the surface when considered at various distances.〔Williams, 2001. p. 40〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Dazzle camouflage」の詳細全文を読む スポンサード リンク
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